1st september 2003
bricked up

Searching for an old bookseller friend's whereabouts online, I found this excellent sculpture, set into the walls of a block of flats in southeast London:

hallgate.jpg
The Architect and Society, Keith Godwin, 1958

I'm not sure which of the two subjects the figure represents, though.

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4th september 2003
le soleil mÍme la nuit

Was it Van Gogh who said that he was aware of the sun even at night, as it travelled around the other side of the planet? I was hoping to quote him here as a prefix to the following Jefferies passage, but I can't find the reference. Maybe someone can help.

The sward on the path on which Bevis used to lie and gaze up in the summer evening, was real, and tangible; the earth under was real; and so too the elms, the oak, the ash trees, were real and tangible - things to be touched and known to be. Now like these, the mind, stepping from the one to the other, knew and almost felt the stars to be real and not mere specks of light, but things that were there by day over the elms as well as by night, and not apparitions of the evening departing at the twittering of the swallows. They were real, and the touch of his mind felt to them.

He could not, as he reclined on the garden path by the strawberries, physically reach to and feel the oak; but he could feel the oak in his mind, and so from the oak, stepping beyond it, he felt the stars. They were always there by day as well as by night. The Bear did not sink, the sun in summer only dipped, and his reflection - the travelling dawn - shone above him, and so from these unravelling out the enlarging sky, he felt as well as knew that neither the stars nor the sun ever rose or set. The heavens were always around and with him. The strawberries and the sward of the garden path, he himself reclining there, were moving through, among, and between the stars; they were as much by him as the strawberry leaves.

By day the sun, as he sat down under the oak, was as much by him as the boughs of the great tree. It was by him like the swallows.

The heavens were as much a part of life as the elms, the oak, the house, the garden and orchard, the meadow and the brook. They were no more separated than the furniture of the parlour, than the old oak chair where he sat, and saw the new moon shine over the mulberry-tree. They were neither above nor beneath, they were in the same place with him; just as when you walk in a wood the trees are all about you, on a plane with you, so he felt the constellations and the sun on a plane with him, and that he was moving among them as the earth rolled on, like them, with them, in the stream of space.

The day did not shut off the stars, the night did not shut off the sun; they were always there. Not that he always thought of them, but they were never dismissed. When he listened to the green-finches sweetly calling in the hawthorn, or when he read his books, poring over the Odyssey, with the sunshine on the wall, they were always there; there was no severance. Bevis lived not only out to the finches and the swallows, to the far-away hills, but he lived out and felt out to the sky.

It was living, not thinking. He lived it, never thinking, as the finches live their sunny life in the happy days of June. There was magic in everything, blades of grass and stars, the sun and the stones upon the ground.

The green path by the strawberries was the centre of the world, and round about it by day and night the sun circled in a magical golden ring.

from Richard Jefferies, Bevis

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9th september 2003
proverbs that never were

The chicken used to be a dinosaur - but that doesn't stop us eating him every day.

An old woman is like a fish: one drowns in water, the other in air.

When wolves learn to fly, the season for sleeping on the roof is over.

The crab thinks himself a fine fellow, but of boiling water he knows nothing.

If a man dreams of money, he probably has none. But if he dreams of flames, it may be that his bed is on fire.

Whether it's a lamb or a porcupine that has fallen down the well, the water is spoilt just the same.

Adam and Eve asked of God: give us food, a bed, and make us laugh. God gave them a duck.

The ox is patient, so patient. He knows that in the end his time will come.

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10th september 2003
always good

"When I wake up I will be on dusty earth, in a city with a past, eating food with spices."

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11th september 2003
bertie, why do you bound?

Reading Melville's Typee, I suddenly realise, this is where Wells' The Time Machine came from.
The narrator arrives in a remote place and is unable to return (Melville jumped ship which sailed off without him, Wells' machine was stolen? hidden? broken? I forget). He meets a culture of people who have a life of idleness: food is no problem, they live on fruit from the trees, they spend their time playing seemingly childishly. He discovers a dark secret, in both cases cannibalism. He leaves in a violent episode (Melville beat someone off with a boat-hook, Wells' character fights them off as he operates the Time Machine to escape).
The only difference is that Wells has split the Typees into two species, the Eloi and Morlocks, separating the light and dark sides of their nature. Any Wells scholars out there know more about this?

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12th september 2003
like birds, like fishes

While looking up current thinking on quasars (a bit vague, but moving towards the idea of young galaxies going through an intense period of matter being sucked into a central black hole) I thought of my brief but enlightening summer job in the University of Cambridge (UK) Dept of Astronomy.
This was in about 1982, and computers were still the size of wardrobes with two big whirly tape reels. There were rooms with dozens of them, standing like monoliths. Graphics were just starting, there was colour, and even I had a trackball.
But the best place to be was the library, in the middle of which was a huge light table: you could spread out giant metre-square transparencies of a tiny patch of sky, just a few seconds of arc across, and get to work with a jeweller's eyeglass. The transparencies were negatives: the background was see-through and the stars were black. Pick an empty quarter far from the massive blots of constellation heavyweights: stand the eyeglass on a random spot, and bend down to look, swooping into the abyss. Which always, wherever you put the magnifier, was populated: no stars maybe, but like schools of minnows, galaxies. Tiny spirals, microscopic ellipses, decreasing to specks, dust, grain, molecules on the film, who knew? But there they were, by the swarm.
Then you straightened up and there was a bit of plastic on a table and outside, blossom on the apple trees, and bad news from the Falklands.

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19th september 2003
ramblin'

Crows, or a crow, had been at the windlass again. Sometime between dawn and the people in the house waking up, they'd messed with the rope and pushed the bucket down the well. The rope was now a horrible tangle around the wooden shaft, and the bucket, it turned out, was jammed between the corners of two stones near the well bottom. Thanks, pal.
Eddie looked over the fence from next door.
- Crows, he said.
- Yeah.
Having sorted out the rope's spiderweb, the only thing to do was to go down - not so difficult because there are projecting stones and handholds all the way down, and the width of the shaft is just right for a human. At the bottom, however, things were trickier. Freeing the bucket was easy, but now it looked like the treacle that normally forms a pool in the bottom had stopped oozing from the crack in the pipe and what was there had congealed into a hardened mass about the size of a baby.

(The editor can admit no responsibility for the above: it came out of the hopper during the night and is presented in the absence of other material).

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24th september 2003
save room for pudding

Listening to a book read on the radio, on one of the first celebrity chefs, Antonin Careme, who floreated in post-revolutionary Paris. Pre the revolution, restaurants served only soup, which was thought to have restorative medical qualities, to those who could afford it. In the new democratic age they became more generalized eating houses, and chefs rose from their kitchens to become cooks to the stars, or at least to royalty.
Anyway, Careme was one such character, specializing in extraordinaires, vast desserts several feet high, representing buildings, gardens, fantastic landscapes or sculptures. The most interesting/bizarre of these was a christening cake for the grandson of Louis XIV, made from pastry, almond paste and clockwork. It depicted the labour pains of the baby Duc d'Angoulême's mother, and his entry into the world via a marzipan vagina.

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25th september 2003

No Hiding Place

Thursday, 25 September 2003

This is No Hiding Place, © Thursday, 25 September 2003. It is a sequel to The Eternal is Thy Refuge, and is part of bhikku.net.

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